The Fort Worth Press - Games music composer with ambition to define an artform

USD -
AED 3.672498
AFN 66.225448
ALL 82.354748
AMD 381.306752
ANG 1.790403
AOA 916.999728
ARS 1450.041202
AUD 1.508853
AWG 1.8025
AZN 1.708506
BAM 1.669113
BBD 2.01304
BDT 122.234929
BGN 1.670115
BHD 0.376784
BIF 2955.212672
BMD 1
BND 1.292068
BOB 6.906704
BRL 5.545302
BSD 0.999437
BTN 89.553321
BWP 14.05834
BYN 2.937462
BYR 19600
BZD 2.010139
CAD 1.379165
CDF 2558.498097
CHF 0.794698
CLF 0.023219
CLP 910.890282
CNY 7.04095
CNH 7.033835
COP 3831.44
CRC 499.163651
CUC 1
CUP 26.5
CVE 94.102035
CZK 20.7691
DJF 177.980132
DKK 6.37423
DOP 62.606677
DZD 129.990783
EGP 47.615602
ERN 15
ETB 155.268656
EUR 0.85345
FJD 2.283703
FKP 0.747408
GBP 0.746385
GEL 2.684998
GGP 0.747408
GHS 11.479313
GIP 0.747408
GMD 73.000162
GNF 8736.467948
GTQ 7.658565
GYD 209.104253
HKD 7.780485
HNL 26.330477
HRK 6.430401
HTG 131.040515
HUF 329.729642
IDR 16787.55
ILS 3.19744
IMP 0.747408
INR 89.664497
IQD 1309.318074
IRR 42100.000149
ISK 125.629923
JEP 0.747408
JMD 159.921827
JOD 0.708991
JPY 157.323504
KES 128.904639
KGS 87.44961
KHR 4011.008939
KMF 419.999895
KPW 899.999767
KRW 1479.519686
KWD 0.30723
KYD 0.832939
KZT 517.224164
LAK 21647.016655
LBP 89502.457841
LKR 309.450354
LRD 176.904827
LSL 16.76673
LTL 2.95274
LVL 0.60489
LYD 5.417492
MAD 9.161347
MDL 16.9207
MGA 4545.299379
MKD 52.527821
MMK 2100.286841
MNT 3551.115855
MOP 8.010719
MRU 39.998805
MUR 46.160159
MVR 15.449621
MWK 1733.11941
MXN 18.01467
MYR 4.078987
MZN 63.898809
NAD 16.76673
NGN 1458.790233
NIO 36.782276
NOK 10.122425
NPR 143.285314
NZD 1.733115
OMR 0.38519
PAB 0.999437
PEN 3.365792
PGK 4.251742
PHP 58.723501
PKR 280.0262
PLN 3.588675
PYG 6705.298013
QAR 3.64375
RON 4.344003
RSD 100.174525
RUB 80.441082
RWF 1455.246808
SAR 3.751046
SBD 8.146749
SCR 15.152485
SDG 601.500474
SEK 9.26555
SGD 1.292355
SHP 0.750259
SLE 24.050082
SLL 20969.503664
SOS 570.167952
SRD 38.441502
STD 20697.981008
STN 20.908808
SVC 8.745002
SYP 11058.461434
SZL 16.764525
THB 31.233499
TJS 9.210077
TMT 3.5
TND 2.925514
TOP 2.40776
TRY 42.815406
TTD 6.783841
TWD 31.566604
TZS 2474.999683
UAH 42.259763
UGX 3574.964156
UYU 39.240117
UZS 12015.259097
VES 282.15965
VND 26320
VUV 121.02974
WST 2.787828
XAF 559.804909
XAG 0.014498
XAU 0.000227
XCD 2.70255
XCG 1.801315
XDR 0.696218
XOF 559.804909
XPF 101.778521
YER 238.397851
ZAR 16.72522
ZMK 9001.202443
ZMW 22.612992
ZWL 321.999592
  • SCS

    0.0200

    16.14

    +0.12%

  • NGG

    -0.2800

    76.11

    -0.37%

  • CMSC

    -0.1200

    23.17

    -0.52%

  • GSK

    0.3200

    48.61

    +0.66%

  • AZN

    0.7500

    91.36

    +0.82%

  • BCC

    -2.9300

    74.77

    -3.92%

  • RBGPF

    0.0000

    80.22

    0%

  • BTI

    -0.5900

    56.45

    -1.05%

  • RIO

    0.6900

    78.32

    +0.88%

  • BCE

    -0.0100

    22.84

    -0.04%

  • JRI

    -0.0500

    13.38

    -0.37%

  • BP

    0.6300

    33.94

    +1.86%

  • CMSD

    -0.0300

    23.25

    -0.13%

  • VOD

    0.0400

    12.84

    +0.31%

  • RELX

    0.0800

    40.73

    +0.2%

  • RYCEF

    0.2800

    15.68

    +1.79%

Games music composer with ambition to define an artform
Games music composer with ambition to define an artform / Photo: © AFP/File

Games music composer with ambition to define an artform

Far from the bleep-driven video game soundtracks of yesteryear, French composer Olivier Deriviere is determined to help craft the audio sensation of a medium he believes is still finding a voice of its own.

Text size:

Deriviere's twin passions for music and gaming have driven a career creating music for massive-selling games including Ubisoft's "Assassin's Creed", sometimes managing projects equal in scope to a film soundtrack.

"I think we need to get away from the reflex that we need to look at our 'big brother' cinema and say that we're going to do the same thing," Deriviere told AFP.

"If you compare what video games offer in artistic terms, it's vast compared to the cinema or theatre," he adds.

Deriviere's personal journey with games began very early in life.

"I've never left the house without a console since I was six years old," the 46-year-old says.

That passion has borne him up to creating music for one instalment in the massively popular "Assassin's Creed" series, or million-selling "A Plague Tale: Innocence", released by Asobo in 2019.

But his current project, "South of Midnight" by Canadian developer Compulsion Games is "my biggest creation yet," Deriviere says.

The tracks he plays back borrow their sound from the American South setting of the adventure game, set for release on April 8.

More than 100 recording sessions have gone into the work, split between Nashville in the US, London's legendary Abbey Road studios and the composer's own workspace in the Paris suburbs.

- 'Set off a revolution' -

Deriviere enjoyed "a musical childhood" growing up in Nice with his businessman father and choir-leader mother.

"When I was five years old, I was getting into U2 and Pink Floyd thanks to my dad, while my friends were listening to French songs," he remembered.

It was at the same time that he was first exposed to video games.

"The day someone first showed me a Commodore 64 moving a pixel around, it set off a revolution in my brain," Deriviere said.

He went as far as learning to code so that he could write music on the machine.

Deriviere struggled to find his niche, making false starts into several music and computing courses before securing a scholarship to the Berklee College of Music across the Atlantic in Boston.

A regular at the city's Symphonic Orchestra, he struck up a friendship with John Williams, writer of soundtracks to many Steven Spielberg movies and the "Star Wars" saga.

Deriviere says that the film legend became an "example" for him, teaching him to be patient.

Back in France, his first work on a game came with 2004's "Obscure", developed by a small studio.

Since then, he has worked on around 20 releases including the mega-blockbuster "Assassin's Creed" series.

"I got started in a tiny little room. A computer, two speakers and that was it," he remembered with a smile.

Now in demand from international developers, he employs six people in his 300-square-metre (3,200 square feet) studio).

- No substitute -

Percussion fan Deriviere clutches a pair of drumsticks as he wanders from the recording booths to the editing suites to keep up with multiple projects, some of which are still under wraps.

But in his spare minutes, he allows himself a few rounds of tennis game "Top Spin" in a room stuffed with consoles going back decades.

"I've always played, I've never stopped," the composer says.

For Deriviere, creating a piece of music has two stages: first writing a score, but then integrating it into the game to reflect the player's input.

The second task would normally be tackled by a game's music designer, rather than the composer.

But "I do both", Deriviere said. "Since I play video games, I understand this language and that's an advantage."

In "South of Midnight", Deriviere is attentive to the actions of protagonist Hazel, accompanied by a choir of girls' voices, as well as developing the tracks connected with the vast creatures that inhabit the game's universe.

He isn't a one-trick pony, having composed the music for 2023 horror movie "The Deep Dark" and for an episode of TV series "Star Wars: Visions", in another tie back to mentor Williams.

But linear film-making can't keep him away from the "unique experience" of games for long.

"It's up to us to bring new experiences to players," Deriviere said.

X.Silva--TFWP