The Fort Worth Press - Nobel winner Ernaux: godmother of French grit lit

USD -
AED 3.672504
AFN 65.503991
ALL 83.072963
AMD 376.980403
ANG 1.790083
AOA 917.000367
ARS 1386.420402
AUD 1.448436
AWG 1.80025
AZN 1.70397
BAM 1.695072
BBD 2.009612
BDT 122.428639
BGN 1.709309
BHD 0.378163
BIF 2970
BMD 1
BND 1.2851
BOB 6.894519
BRL 5.160604
BSD 0.997742
BTN 92.939509
BWP 13.688562
BYN 2.956504
BYR 19600
BZD 2.006665
CAD 1.39475
CDF 2305.000362
CHF 0.79876
CLF 0.023281
CLP 919.250396
CNY 6.88265
CNH 6.886225
COP 3668.42
CRC 464.279833
CUC 1
CUP 26.5
CVE 96.000359
CZK 21.288304
DJF 177.720393
DKK 6.487804
DOP 60.850393
DZD 133.256954
EGP 54.334939
ERN 15
ETB 155.800822
EUR 0.86804
FJD 2.253804
FKP 0.757614
GBP 0.756401
GEL 2.68504
GGP 0.757614
GHS 11.00504
GIP 0.757614
GMD 74.000355
GNF 8780.000355
GTQ 7.632939
GYD 208.828972
HKD 7.83775
HNL 26.504427
HRK 6.539104
HTG 130.952897
HUF 333.930388
IDR 16994.6
ILS 3.130375
IMP 0.757614
INR 92.73995
IQD 1307.141959
IRR 1319175.000352
ISK 125.380386
JEP 0.757614
JMD 157.303566
JOD 0.70904
JPY 159.65404
KES 129.803801
KGS 87.450384
KHR 3990.137323
KMF 427.00035
KPW 899.985922
KRW 1511.260383
KWD 0.30934
KYD 0.831502
KZT 472.805432
LAK 21970.392969
LBP 89502.03926
LKR 314.804623
LRD 183.088277
LSL 16.955078
LTL 2.95274
LVL 0.60489
LYD 6.380628
MAD 9.374033
MDL 17.55613
MGA 4171.343141
MKD 53.495639
MMK 2099.969769
MNT 3573.217716
MOP 8.055104
MRU 39.637211
MUR 46.950378
MVR 15.460378
MWK 1730.071718
MXN 17.891704
MYR 4.031039
MZN 63.950377
NAD 16.954711
NGN 1378.130377
NIO 36.712196
NOK 9.77265
NPR 148.701282
NZD 1.750854
OMR 0.385097
PAB 0.997734
PEN 3.45194
PGK 4.316042
PHP 60.409504
PKR 278.39991
PLN 3.71375
PYG 6454.29687
QAR 3.638018
RON 4.416604
RSD 101.901662
RUB 80.325739
RWF 1457.240049
SAR 3.754308
SBD 8.038772
SCR 14.424038
SDG 601.000339
SEK 9.483504
SGD 1.286704
SHP 0.750259
SLE 24.650371
SLL 20969.510825
SOS 570.192924
SRD 37.351038
STD 20697.981008
STN 21.233539
SVC 8.730169
SYP 110.556627
SZL 16.948198
THB 32.635038
TJS 9.563492
TMT 3.51
TND 2.941459
TOP 2.40776
TRY 44.520504
TTD 6.768937
TWD 31.995038
TZS 2600.000335
UAH 43.698134
UGX 3743.234401
UYU 40.405091
UZS 12122.393971
VES 473.390504
VND 26340
VUV 119.346905
WST 2.766243
XAF 568.506489
XAG 0.013693
XAU 0.000214
XCD 2.70255
XCG 1.798209
XDR 0.708068
XOF 568.516344
XPF 103.361457
YER 238.650363
ZAR 16.972865
ZMK 9001.203584
ZMW 19.281421
ZWL 321.999592
  • RBGPF

    -13.5000

    69

    -19.57%

  • BCC

    -1.8800

    73.2

    -2.57%

  • NGG

    1.1500

    87.99

    +1.31%

  • VOD

    0.0800

    15.21

    +0.53%

  • RELX

    0.3600

    33.59

    +1.07%

  • RYCEF

    0.9000

    15.99

    +5.63%

  • BCE

    -0.9300

    24.45

    -3.8%

  • AZN

    2.7600

    203.49

    +1.36%

  • GSK

    0.7000

    56.69

    +1.23%

  • CMSC

    0.0500

    22.04

    +0.23%

  • CMSD

    0.1100

    22.26

    +0.49%

  • JRI

    0.0900

    12.61

    +0.71%

  • RIO

    -0.3600

    94.45

    -0.38%

  • BTI

    0.3900

    58.28

    +0.67%

  • BP

    0.9500

    47.12

    +2.02%

Nobel winner Ernaux: godmother of French grit lit
Nobel winner Ernaux: godmother of French grit lit / Photo: © AFP/File

Nobel winner Ernaux: godmother of French grit lit

Hugely popular for her deceptively simple novels drawing on personal experience of class and gender, the Nobel Literature Prize winner Annie Ernaux is a kind of French working-class Marcel Proust.

Text size:

Over some 20 books -- many of which have been school texts in France for decades -- she has unsparingly examined one of the country's great taboos -- class -- often through the prism of her own life.

In so doing she has become a trailblazer for a whole generation of French writers from tough and immigrant backgrounds.

Virginie Despentes of "Vernon Subutex" fame has hailed her as a key influence and Edouard Louis, whose first novel about growing up gay and in poverty in northern France was translated into more than 20 languages, said he had been "deeply affected by the power and beauty" of Ernaux's work.

Her books are the grit in the French literary oyster, offering an alternative, as she puts it, to the "unconditional admiration for the pretty phrase."

They have also made it to the screen, with "Happening", adapted from her own semi-autobiographical work about having an illegal abortion, nominated for a BAFTA award this year.

- My story, your story -

Outside France, recognition for her work has only come in recent years, notably after the English translation of her key 2008 work, "The Years", which was nominated for the prestigious Man Booker International Prize in 2019.

In it Ernaux used family photos as well as scraps of popular culture to recall her life and explore the impact of bigger historical events.

Personal experiences are the source for all Ernaux's work and she is the pioneer of France's "autofiction" genre, which gives narrative form to real-life experience.

"When I write I do not have the impression of looking inside me, I look inside a memory," she once said.

- Fame and shame -

Ernaux, who was born on September 1, 1940 in Yvetot in Normandy, and grew up above a little cafe-shop run by her parents, calls herself a "class defector".

She has explored this in many of her books and in doing so has offered a literary lifeline to young writers also emerging from humble backgrounds.

Climbing the social ladder also left its mark and she has been candid about the guilt and shame in what she felt was an act of betrayal against her parents and their way of life.

"Writing is the thing I can do best... as a defector, a political act and as a gift," said Ernaux, who left home for university when she was 18.

- Feminist model -

Ernaux is a feminist model to many -- independent and outspoken and someone who has come through some pretty harrowing experiences.

Her first novel "Cleaned Out" in 1974 was a cool-eyed but harrowing account of an abortion she went through in her youth and that she had kept secret from her family.

She married in her mid-twenties and had two boys, but got divorced in 1984 and raised her sons alone, keeping on with her writing and teaching in the Paris suburb of Cergy-Pontoise, where she still lives.

Ernaux said her decision to keep a day job was due to her fear of losing everything -- a worry rooted in the working-class struggles of her youth -- and also the desire to keep her writing free from financial obligations.

"If I made writing my only job I would be forced to want my books to sell", and this "material necessity" would rub off on the work, however unconsciously, "it stains it".

In recent years Ernaux has been a strong voice supporting the #MeToo movement, which was longer to take off in France with the likes of actress Catherine Deneuve initially defending male "gallantry" and men's right to hit on women.

"I was so ashamed for Deneuve," Ernaux said, describing her comments as "the reflection of a group of privileged women."

"In France we hear so much about our culture of seduction, but it's not seduction, it's male domination."

H.M.Hernandez--TFWP