The Fort Worth Press - Venice's 60th Biennale opens on humanity and the fragile planet

USD -
AED 3.67295
AFN 66.503991
ALL 80.603989
AMD 366.170403
AOA 917.000367
ARS 1491.937904
AUD 1.414627
AWG 1.80125
AZN 1.70397
BAM 1.696506
BBD 2.013896
BDT 123.776354
BHD 0.377104
BIF 2987.5
BMD 1
BND 1.281271
BOB 11.884005
BRL 5.083304
BSD 0.999879
BTN 95.145572
BWP 13.496235
BYN 2.977343
BYR 19600
BZD 2.010921
CAD 1.39555
CDF 2262.50392
CHF 0.80802
CLF 0.023137
CLP 913.560396
CNY 6.747604
CNH 6.743285
COP 3157.16
CRC 454.53954
CUC 1
CUP 26.5
CVE 95.703894
CZK 20.982104
DJF 177.720393
DKK 6.46804
DOP 58.250393
DZD 132.93304
EGP 49.555853
ERN 15
ETB 160.000358
EUR 0.86495
FJD 2.20855
FKP 0.743241
GBP 0.741235
GEL 2.610391
GGP 0.743241
GHS 11.76039
GIP 0.743241
GMD 73.503851
GNF 8775.000355
GTQ 7.628986
GYD 209.187745
HKD 7.84315
HNL 26.880388
HRK 6.518804
HTG 130.738004
HUF 314.060388
IDR 17801
ILS 2.99985
IMP 0.743241
INR 95.13785
IQD 1310.5
IRR 1375550.000352
ISK 123.340386
JEP 0.743241
JMD 158.790465
JOD 0.70904
JPY 157.80604
KES 128.780385
KGS 87.450384
KHR 4052.503796
KMF 426.00035
KRW 1407.890383
KWD 0.30866
KYD 0.833247
KZT 468.616634
LAK 22582.503779
LBP 89550.000349
LKR 335.380452
LRD 181.550382
LSL 16.130381
LTL 2.95274
LVL 0.60489
LYD 6.365039
MAD 9.305039
MDL 17.387495
MGA 4310.000347
MKD 53.374161
MMK 2099.552715
MNT 3596.040078
MOP 8.079926
MRU 40.090379
MUR 47.050378
MVR 15.450378
MWK 1737.000345
MXN 17.136204
MYR 4.090104
MZN 63.905039
NAD 16.250377
NGN 1364.860377
NIO 36.795607
NOK 9.51237
NPR 152.232915
NZD 1.696641
OMR 0.382792
PAB 0.999866
PEN 3.385039
PGK 4.42225
PHP 60.705038
PKR 277.803701
PLN 3.719205
PYG 5945.498155
QAR 3.644504
RON 4.536304
RSD 102.024038
RUB 81.892834
RWF 1465
SAR 3.780227
SBD 8.065696
SCR 14.475038
SDG 600.503676
SEK 9.480804
SGD 1.278204
SLE 24.603667
SOS 600.503662
SRD 37.866504
STD 20697.981008
STN 21.375
SVC 8.749095
SZL 16.245038
THB 33.050369
TJS 9.223917
TMT 3.51
TND 2.912038
TRY 47.697504
TTD 6.777323
TWD 32.250604
TZS 2647.503038
UAH 44.783463
UGX 3724.827703
UYU 40.249652
UZS 11950.000334
VES 755.762404
VND 26204.5
VUV 119.010387
WST 2.728415
XAF 568.992228
XAG 0.015756
XAU 0.00023
XCD 2.70255
XCG 1.802071
XDR 0.708194
XOF 568.000332
XPF 103.350363
YER 238.403589
ZAR 16.14632
ZMK 9001.203584
ZMW 18.872278
ZWL 321.999592
  • CMSC

    0.0240

    21.744

    +0.11%

  • CMSD

    -0.1600

    21.82

    -0.73%

  • BCC

    2.3400

    86.6

    +2.7%

  • BCE

    -0.0200

    22.75

    -0.09%

  • RBGPF

    0.6500

    70.6

    +0.92%

  • GSK

    0.7900

    52.96

    +1.49%

  • JRI

    0.1500

    12.81

    +1.17%

  • RIO

    1.4500

    101.1

    +1.43%

  • NGG

    0.4700

    80.88

    +0.58%

  • RYCEF

    0.0500

    21

    +0.24%

  • AZN

    1.4100

    161.42

    +0.87%

  • RELX

    0.0485

    35.52

    +0.14%

  • VOD

    0.1900

    16.19

    +1.17%

  • BP

    -0.6000

    41.63

    -1.44%

  • BTI

    0.6000

    59.33

    +1.01%

Venice's 60th Biennale opens on humanity and the fragile planet
Venice's 60th Biennale opens on humanity and the fragile planet / Photo: © AFP

Venice's 60th Biennale opens on humanity and the fragile planet

Venice's 60th Biennale international art show has opened its doors, exploring humankind's relationship with the fragile planet, from Greenland's icecaps to deforestation in the Amazon.

Text size:

The exhibition showcases artists from across the globe, including pavilions from Japan, Denmark, Brazil and the Czech Republic.

The Biennale Arte 2024, one of the world's leading international art exhibitions, runs until November 24.

- Makeshift solutions -

Japanese artist Yuko Mohri's work focussed on makeshift attempts to limit water leaks in Tokyo's underground stations, caused by frequent floods and earthquakes.

In a tribute to human invention, Mohri featured objects used to collect water in vain, including plastic bottles, buckets and pipes.

Decomposed fruits were linked to electrode wires, which control sound by adjusting the degree of humidity, appealing to all the visitor's senses.

The artist aimed to show how "human creativity can really bring about some hopes and solutions when a lot of things are critical", said Sook-Kyung Lee, curator of the Japan pavilion.

To highlight the universality of the climate threat, the artist collected her materials from flea markets in Venice, which has also suffered from flooding.

- Melting ice -

Denmark's pavilion displayed the work of photographer Inuuteq Storch in six series, including "Soon Will Summer Be Over", which documents the effects of climate change, colonisation, Inuit hunting and fishing traditions in the far north of Greenland.

Visitors find nostalgic everyday scenes of the remote land where the sun never sets in the Summer.

Both colour and black-and-white photographs of land, skies and icecaps take visitors through the seasonal cycle in a reminder of the vulnerability of the poles.

"Climate change definitely has a presence," said Louise Wolthers, art historian and curator.

"He (Storch) tells us that hunters cannot practise so much the traditional hunting methods anymore because of climate change and the melting of ice and the more extreme weather conditions."

- 'Unscrupulous men' -

At the entrance to Brazil's pavilion, roots and seeds flowed from an imposing mound of earth to evoke different life forms: human veins, tree sap and Brazilian rivers seen from the sky.

Atop the installation, an old television showed a woman saying: "You have not learned from your mistakes and the forests continue to be torn down to serve unscrupulous men."

"I like to establish a contact between human beings to talk about the importance of an environmental issue, to think about it in a global way," said artist and Indigenous activist Olinda Tupinamba.

- Life and death of a giraffe -

A collaborative project from the Czech Republic, entitled "The heart of a giraffe in captivity weighs 12 kilos less", looks back at the tragic fate of Lenka, captured in Kenya in 1954 and transported to Prague Zoo, where she survived for just two years.

With this installation, Czech artist Eva Kotatkova wanted to recreate the giraffe's insides and skeleton to attract public attention to the human relationship with nature and the violence inflicted on animals.

The exhibit is also mean to provoke reflection, asking "what is my role in this story?", Kotatkova said.

The project resonates with the central theme of this year's event, "Stranieri ovunque-Foreigners Everywhere", in which some 90 countries are represented.

Artist Ruth Patir's video installation had been due to open at Israel's national pavilion, but she said last week that her exhibit would remain closed until a ceasefire was in place and the hostages held captive by Hamas had been released.

A.Maldonado--TFWP