The Fort Worth Press - Behind the BTS comeback, the dark side of K-pop

USD -
AED 3.672504
AFN 63.000368
ALL 81.850403
AMD 368.180403
ANG 1.79046
AOA 918.000367
ARS 1411.841886
AUD 1.388696
AWG 1.8
AZN 1.70397
BAM 1.679981
BBD 2.014233
BDT 122.76083
BGN 1.66992
BHD 0.377275
BIF 2976
BMD 1
BND 1.278067
BOB 6.910443
BRL 5.037104
BSD 1.000073
BTN 94.959542
BWP 13.418887
BYN 2.740298
BYR 19600
BZD 2.011459
CAD 1.38005
CDF 2272.000362
CHF 0.781119
CLF 0.022615
CLP 890.050396
CNY 6.76635
CNH 6.764365
COP 3693.14
CRC 452.064266
CUC 1
CUP 26.5
CVE 94.87504
CZK 20.824204
DJF 177.720393
DKK 6.41042
DOP 58.340393
DZD 132.780279
EGP 52.325831
ERN 15
ETB 158.000358
EUR 0.857704
FJD 2.221804
FKP 0.743091
GBP 0.743356
GEL 2.670391
GGP 0.743091
GHS 11.74039
GIP 0.743091
GMD 72.503851
GNF 8780.000355
GTQ 7.628513
GYD 209.220224
HKD 7.83695
HNL 26.570388
HRK 6.460604
HTG 130.96772
HUF 303.492504
IDR 17823.65
ILS 2.80215
IMP 0.743091
INR 95.010504
IQD 1310
IRR 1351050.000352
ISK 122.960386
JEP 0.743091
JMD 157.513861
JOD 0.70904
JPY 159.30904
KES 129.410385
KGS 87.450384
KHR 4010.00035
KMF 422.00035
KPW 899.855249
KRW 1507.460383
KWD 0.30944
KYD 0.833462
KZT 487.321548
LAK 21952.503779
LBP 89550.000349
LKR 330.034874
LRD 183.125039
LSL 16.240381
LTL 2.95274
LVL 0.60489
LYD 6.350381
MAD 9.18375
MDL 17.306602
MGA 4190.000347
MKD 52.848875
MMK 2099.714623
MNT 3575.454737
MOP 8.070537
MRU 40.000346
MUR 47.370378
MVR 15.403739
MWK 1737.000345
MXN 17.354804
MYR 3.970504
MZN 63.905039
NAD 16.240377
NGN 1371.703725
NIO 36.570377
NOK 9.253504
NPR 151.935268
NZD 1.671822
OMR 0.385278
PAB 1.000103
PEN 3.399504
PGK 4.355039
PHP 61.474038
PKR 278.550374
PLN 3.62895
PYG 6017.110756
QAR 3.641038
RON 4.504104
RSD 100.681038
RUB 71.146838
RWF 1462.5
SAR 3.772303
SBD 8.03246
SCR 13.536038
SDG 600.503676
SEK 9.255045
SGD 1.276804
SHP 0.746601
SLE 24.603667
SLL 20969.502105
SOS 571.503662
SRD 37.170504
STD 20697.981008
STN 21.4
SVC 8.751074
SYP 110.532098
SZL 16.240369
THB 32.575038
TJS 9.231047
TMT 3.5
TND 2.894038
TOP 2.40776
TRY 45.852504
TTD 6.793623
TWD 31.426804
TZS 2629.583038
UAH 44.293077
UGX 3769.922222
UYU 40.112866
UZS 12022.503617
VES 548.68505
VND 26312.5
VUV 117.26616
WST 2.715189
XAF 563.44981
XAG 0.013284
XAU 0.00022
XCD 2.70255
XCG 1.802416
XDR 0.699507
XOF 562.503593
XPF 102.603591
YER 238.603589
ZAR 16.29669
ZMK 9001.203584
ZMW 18.382896
ZWL 321.999592
  • CMSC

    -0.1000

    22.74

    -0.44%

  • RELX

    -0.3100

    32.79

    -0.95%

  • BCE

    0.2000

    25.11

    +0.8%

  • RBGPF

    -0.0100

    63.54

    -0.02%

  • GSK

    -0.7000

    50.54

    -1.39%

  • BTI

    -1.1300

    61.79

    -1.83%

  • RIO

    -0.0800

    106.39

    -0.08%

  • BCC

    -0.6300

    69.72

    -0.9%

  • RYCEF

    0.7000

    18

    +3.89%

  • CMSD

    0.0400

    22.93

    +0.17%

  • NGG

    -1.1562

    81.53

    -1.42%

  • VOD

    0.0300

    14.96

    +0.2%

  • JRI

    0.0600

    12.92

    +0.46%

  • BP

    0.2800

    41.87

    +0.67%

  • AZN

    0.3400

    185.67

    +0.18%

Behind the BTS comeback, the dark side of K-pop
Behind the BTS comeback, the dark side of K-pop / Photo: © AFP

Behind the BTS comeback, the dark side of K-pop

K-pop oozes with talent, flair and hard work, but the spectacularly successful South Korean music industry also has a dark side -- sometimes with tragic results.

Text size:

Ahead of BTS's comeback concert on Saturday, AFP looks at the intense competition, the gruelling training, the tight control over stars' lives and the sometimes obsessive fan behaviour in the industry.

- 300 groups -

South Korean record labels launch dozens of new groups every year in the hope they will become the next BTS or Blackpink, but with some 300 outfits already out there, the big time is elusive.

The tiny minority of the thousands of young hopefuls who make it past the audition phase can then face 15-hour days of gym sessions, singing lessons, promotional shoots and dance practice.

They sometimes sleep not at home but in bunk beds in shared houses, with tight control over the lives, including what they eat, their weight and their looks.

In a 2020 interview with AFP, former Nine Muses member Ryu Sera likened it to a "factory-like mass-production system", with people treated like "replaceable products".

But industry bosses argue that the competitive structure is what keeps K-pop so successful.

"We can't help those who were given an opportunity for self-improvement but couldn't keep up with the others," Blitzers manager Oh Chang-seok told AFP in 2021.

The balance of power between labels and K-pop stars was once heavily skewed, with "slave contracts" mandating unequal profit-sharing and binding artists for well over a decade.

After a legal battle involving idol group TVXQ, the fair trade commission revised standard contracts, with changes introduced in 2009 that cap initial deals at seven years.

- No dating -

Fans can become obsessive, and anger over rumours that their beloved stars may be romantically involved has become a hallmark of the industry.

When Jung Kook of BTS was rumoured to be dating Aespa member Winter, fans sent a truck carrying a billboard to the headquarters of BTS label HYBE accusing him of "deceit".

Karina of Aespa faced similar trouble when she acknowledged her relationship with an actor in 2024, drawing the ire of fans who also dispatched a truck.

"Do you not receive enough love from your fans?" it read.

Karina delivered her "sincere apologies" in a handwritten letter, vowing she would "not disappoint" her fans again. Shortly afterwards, the couple broke up.

Others have taken things to dangerous extremes.

In 2024, Sunwoo from The Boyz was assaulted when a fan hid in an emergency stairwell to confront him. The group's label said it had also detected a tracking device on their vehicle.

This month, a Brazilian woman was indicted on charges of stalking BTS's Jung Kook. She allegedly rang his doorbell and left a letter 23 times in one month -- "out of love".

Kim Seong-sheen, a professor of creative convergence education at Hanyang University in Seoul, blames the way the industry has structured the relationship between groups and fans.

"Fans have come to occupy the role not of simple consumers but of participants who invest their emotions and time," Kim told AFP.

"The industry has long operated on the premise of controlling idols' private lives and sustaining an illusion of intimacy to maintain that engagement."

- Cyberbullying -

The industry has seen a number of suspected suicides, most recently in 2023 when Moonbin, 25, from boy band ASTRO, was found dead at his home.

While mental health professionals caution it is rare that there is only one trigger factor, some performers have been subjected to intense cyberbullying and harsh scrutiny of their personal lives, both by fans and their management.

Bang Si-hyuk, creator of BTS and chairman of HYBE, questioned in a 2023 CNN interview whether such criticism was "justifiable", suggesting conditions were no better in Western pop.

Cultural commentator Kim Do-hoon said a deeper problem lies in the industry's hierarchical structure between management and singers.

Unlike many groups elsewhere, K-pop bands are assembled by agencies that invest time and capital to train them in a top-down system.

BTS was created in the same manner.

"This is a very hierarchical system that, at its core, has not changed over the years," he said.

J.P.Cortez--TFWP