The Fort Worth Press - 'Men' brings blood-soaked toxic masculinity to Cannes

USD -
AED 3.672504
AFN 65.000368
ALL 81.216919
AMD 362.051328
ANG 1.789785
AOA 917.000367
ARS 1515.25437
AUD 1.435956
AWG 1.80125
AZN 1.70397
BAM 1.739803
BBD 2.01708
BDT 123.195303
BGN 1.747831
BHD 0.378775
BIF 2997.464751
BMD 1
BND 1.281146
BOB 11.69239
BRL 5.065104
BSD 1.001468
BTN 95.050483
BWP 13.720589
BYN 3.015879
BYR 19600
BZD 2.014233
CAD 1.41575
CDF 2313.50392
CHF 0.825932
CLF 0.024881
CLP 979.255437
CNY 6.691204
CNH 6.686704
COP 3173.953654
CRC 455.099408
CUC 1
CUP 24.035938
CVE 98.087444
CZK 21.645304
DJF 178.33919
DKK 6.651204
DOP 61.433083
DZD 133.824668
EGP 53.529689
ERN 15
ETB 163.585998
EUR 0.889904
FJD 2.26765
FKP 0.750199
GBP 0.752078
GEL 2.590391
GGP 0.750199
GHS 11.695058
GIP 0.750199
GMD 73.503851
GNF 8810.21216
GTQ 7.652004
GYD 209.527198
HKD 7.84815
HNL 26.885202
HRK 6.703804
HTG 131.147978
HUF 323.310388
IDR 18053
ILS 3.09465
IMP 0.750199
INR 94.965504
IQD 1518.213762
IRR 1795877.503816
ISK 121.180386
JEP 0.750199
JMD 159.195837
JOD 0.70904
JPY 158.01504
KES 130.098296
KGS 87.450384
KHR 4070.631144
KMF 440.00035
KPW 899.999961
KRW 1334.740383
KWD 0.31082
KYD 0.834586
KZT 453.195748
LAK 22534.359294
LBP 89683.40524
LKR 331.690611
LRD 170.751234
LSL 16.462394
LTL 2.95274
LVL 0.60489
LYD 6.431526
MAD 9.729662
MDL 17.966464
MGA 4507.405595
MKD 54.836988
MMK 2099.858992
MNT 3597.263832
MOP 8.096339
MRU 40.037362
MUR 47.230378
MVR 15.460378
MWK 1736.600987
MXN 18.492904
MYR 4.083204
MZN 63.903729
NAD 16.462394
NGN 1331.210377
NIO 36.854512
NOK 9.427704
NPR 152.081128
NZD 1.767253
OMR 0.382413
PAB 1.001468
PEN 3.444825
PGK 4.547436
PHP 62.986038
PKR 277.237468
PLN 3.88825
PYG 5719.877241
QAR 3.660721
RON 4.730604
RSD 104.461148
RUB 84.13468
RWF 1478.183516
SAR 3.752837
SBD 8.064647
SCR 13.905529
SDG 601.503676
SEK 9.912404
SGD 1.282104
SHP 0.754745
SLE 24.680371
SLL 20969.504398
SOS 572.343548
SRD 37.794504
STD 20697.981008
STN 21.794245
SVC 8.763065
SYP 13001.999685
SZL 16.455989
THB 33.445038
TJS 9.228751
TMT 3.51
TND 2.98768
TOP 2.40776
TRY 49.513804
TTD 6.798915
TWD 32.453604
TZS 2646.44398
UAH 44.920874
UGX 4136.458658
UYU 40.314905
UZS 12073.121914
VES 878.910604
VND 25894.5
VUV 119.757204
WST 2.787783
XAF 583.738825
XAG 0.017551
XAU 0.000240063761
XCD 2.70255
XCG 1.804919
XDR 0.707052
XOF 583.738825
XPF 106.089045
YER 236.150363
ZAR 16.494037
ZMK 9001.203584
ZMW 20.049815
ZWL 321.999592
SSP 5758.113256
MXV 2.088032
  • RIO

    -0.3300

    97.04

    -0.34%

  • CMSC

    -0.0400

    20.67

    -0.19%

  • RELX

    0.0000

    33.41

    0%

  • RBGPF

    0.0000

    67.95

    0%

  • BCE

    -0.0700

    21.99

    -0.32%

  • BCC

    -0.0300

    75.66

    -0.04%

  • GSK

    0.8600

    51.08

    +1.68%

  • JRI

    -0.0300

    11.52

    -0.26%

  • NGG

    -0.1200

    76.68

    -0.16%

  • CMSD

    0.0900

    20.54

    +0.44%

  • BTI

    -0.0800

    55.75

    -0.14%

  • AZN

    2.0200

    168.1

    +1.2%

  • BP

    -1.4200

    43.16

    -3.29%

  • RYCEF

    0.4600

    19.7

    +2.34%

  • VOD

    0.0700

    17.02

    +0.41%

'Men' brings blood-soaked toxic masculinity to Cannes
'Men' brings blood-soaked toxic masculinity to Cannes / Photo: © AFP

'Men' brings blood-soaked toxic masculinity to Cannes

Rising star Jessie Buckley admits she is no horror film junkie, but was happy to take on the wild, gore-splattered "Men" thanks to its provocative look at issues around toxic masculinity.

Text size:

"Men", which follows Buckley's Oscar-nominated turn in Netflix hit "The Lost Daughter", is the latest from British director Alex Garland.

His back catalogue includes inventive sci-fi dramas such as "Ex Machina", "Annihilation" and "Devs", as well as writing credits on "The Beach" and "28 Days Later".

But his new film, which premiered at the Cannes Film Festival on Sunday, may be his strangest concoction yet.

It sees Buckley trapped in a remote English village, trying to recover from a traumatic relationship only to find herself under siege from several extremely creepy guys -- all played by British actor Rory Kinnear.

This was not Buckley's comfort zone.

"I'm very squeamish. The last horror film I saw was 'The Texas Chainsaw Massacre' when I was about 10 and that was it for me," the 32-year-old told AFP in Cannes.

"It wasn't so much the film, it was the fact that it was a Halloween party and my dad stopped the film midway and drove us all out to the woods. We were terrified!" she said, laughing.

Garland's film, however, uses horror film tropes in an innovative way to talk about emotional manipulation, male violence and challenges to the patriarchy.

"Alex provoked some very blunt, honest questions that we could investigate together," Buckley said.

"He's an intelligent and provocative film-maker and I felt safe exploring this with him."

- 'Very messy' -

Kinnear faced a special acting challenge, having to play a wide variety of strange characters.

But nothing could prepare him for the final sequence which -- without giving away any spoilers -- is one of the strangest and goriest conclusions ever put on screen.

"The last week of filming was very messy," Kinnear told AFP.

"There was lots of squashed banana and fake blood," added a delighted Buckley.

Garland tried to keep the actor sweet as the demands of the scene became increasingly disgusting with goodies, Kinnear said.

"I tried to hide my discomfort -- I didn't want to be a moaner.

"But the treats I was being offered were getting more and more elaborate and delicious, and every time I was offered another chocolate-covered fancy, I knew it was just a lump of guilt that was being handed to me."

Filming sounds almost as memorable as the insane imagery that was produced.

"There was a lot of being outdoors and baying at the moon. I woke up the local lifestock," Kinnear said.

"It's true," said Buckley, jumping in. "At one point the sheep started responding. You can hear them in the film if you listen carefully."

Kinnear is a celebrated theatre actor, also known for supporting roles in recent James Bond films and shows like "Penny Dreadful".

Buckley is considered one of the most exciting new talents in cinema.

Her breakout role as a fiery, working-class single mother in 2018's "Wild Rose" earned her a BAFTA nomination and her Oscar-nominated role in "The Lost Daughter" means she is now highly in demand.

She also won an Olivier Award last month after starring in a West End revival of "Cabaret" in London in 2021.

Her character in "Men", Harper, "is someone who was always going to choose life," she said.

"Even if that meant facing the most fearful things," she added.

D.Ford--TFWP